Monday, 20 March 2017
I've Just Seen: Yojimbo (1961); and, Sanjuro (1962)
Director: Akira Kurosawa
Toshiro Mifune is one of the most watchable actors ever to be committed to celluloid. When he is on screen, you can't keep yours eyes off him. It is not so much to do with physical beauty, though he certainly possesses a rugged appeal; instead, he has that 'it' quality, where the camera just loves him, and consequently so does the audience. No wonder Kurosawa cast Mifune in so many of his films.
In both Yojimbo and Sanjuro, Mifune plays Kuwabatake Sanjuro, a samurai who wanders around Japan, taking an interest in local concerns. In Yojimbo, it is a town divided by two waring gangs, who both try to use Sanjuro for their own side. Sanjuro, a sequel to the former, the ronin helps a group of samurai take down their corrupt master.
While neither is based on a Shakespearean play, unlike other Kurosawa films, the two films have that intricacy of plot driven by characters and their decisions. Sanjuro is more honourable than other Mifune characters in Kurosawa's films but he has an air of mystery to him. We are never quite sure how he is going to behave. There are strong similarities to the characters played by Clint Eastwood in Sergio Leone's films.
These are great films, telling engrossing stories, with some of the best action scenes you will see in any film; no surprise really, since they are directed by the great Kurosawa. Toshiro Mifune elevates Yojimbo and Sanjuro even further, with his impeccable acting and fantastic screen presense; I dare you to watch the opening of Sanjuro where Sanjuro goes out to fight the impossible battle, or the double-cross battle in Yojimbo, and not get shivers from Mifune's mere presence.