Thursday, 11 October 2018

I've Just Seen: 9 1/2 Weeks (1986)

 Director: Adrian Lyne

Having watched a number of foreign language films, particularly French films which have no qualms showing male and female nudity, and living in an era where 50 Shades of Grey is a pop culture phenomenon, I found that 9 1/2 Weeks did not live up to its salacious reputation. And despite critics positive comments about the central couple, I saw some rather unpleasant sexual dynamics being played out (though I will concede, not without challenge).

Kim Basinger is really good as Elizabeth, who starts an affair with apparently compelling John Gray (yes, another one). Through a series of "erotic" games involving ice cubes, food, and the oh so fun game of staying locked up all day in your lover's house, not allowed to go anywhere, Elizabeth starts to wonder what it is she wants from the relationship beyond sex.

As I said, Basinger is really good as Elizabeth, balancing the character's fixation with John along with her misgivings about the relationship. Unfortunately for Mickey Rourke, I found John Gray really off putting. Maybe it was his smug smile, his job on Wall Street (which only emphasises his entitlement), his boring flat, or his constant ignoring of Elizabeth's opinions and wishes that turned me off him. From the moment he played "Strange Fruit" as a seduction song, my dodgy dude senses tingled (really, a song about lynching gets you going?).

The film also has a weird approach to Elizabeth's character. While we see her being capable and intelligent at work, the first few times she meets with John she is dressed and treated in childish ways: carrying a bunch of balloons, being locked onto a Ferris wheel, then being stranded at the top when John pays the guy working it to leave her there (oh, isn't he hilarious). It felt off to me, like it was equating her submission to him with being a child; never mind the Monroe-esque coos and squeals she makes too.

The sex scenes are positively tame compared to efforts from Europe and Asia, and as is common in American films, features more female than male nudity (and yet this film is ostensibly aimed at women). Not that you need nudity for a film to ooze sexiness (just look at The Lady Eve), but considering the film's reputation, I was expecting more.

As you can tell, this did nothing for me. If you want a really clever, funny and sexy version of this type of story, ignore this (and 50 Shades) and head straight for Secretary (also featuring a gray-named male lead). I do give the film kudos for its ending, showing the emotional toll such a relationship often has on people, and being realistic about its likely outcome (unlike 50 Shades). But it would have been a lot shorter if Elizabeth had just talked to her friends about the relationship; most would have told her to drop him sooner.


  1. Yes, in 1986 this was just on the wrong side of what was acceptable on North American big screens. It took 30 years, but the 50 Shades series essentially told the same story and was a huge commercial success. In many ways 9 1/2 weeks was about a generation ahead of its audience.

    1. This didn't do too badly ($100m off a $17m budget). But yes, for 80s America this was pushing the boat out, sex-wise. Its funny to compare this to another erotic romance from 1986, Betty Blue, which is much more explicit in its first scene than anything in 9 1/2 Weeks. But hey, it was French.