Tuesday, 23 April 2019

The Bridge on the River Kwai (1957)

 Director: David Lean

A group of British POWs arrive at a Japanese-run camp during WWII, led by the stoic Lieutenant Colonel Nicholson, who develops a complex relationship with the Japanese commandant Colonel Saito. While the British are put to work building the titular bridge, an American prisoner escapes, only to return to the camp as part of a mission to blow-up the infrastructure.

There are some films that are so well-made, with all its elements so perfectly balanced together, that it is hard to say anything about them, other than "Watch it. Now!" This is how I feel about David Lean's film. You could speak/write volumes about the greatness of the film, but none would properly capture its true brilliance, which lies in the perfectly pitched performances, the dynamics between the characters, the meticulous script which never drags, and the colour cinematography that portrays this harsh world.

While many have complained that the film is anti-British and anti-Japanese in its stance (including members of the cast and crew), I feel it is overall anti-war (as so many films in this era were). There is a bitterness to the ending that leaves you with the feeling 'what a waste of human life.' The most interesting character is Alec Guinness' Nicholson, who is the perfect-to-a-fault soldier. His stoicism and devotion to convention and order is played as a form of madness, and yet I couldn't help but admire him and his desire to find meaning amongst the madness, giving his men a purpose while imprisoned. His loss of perspective is difficult to watch, knowing what is going to happen to the bridge.


The Bridge on the River Kwai is up there with Casablanca as one of the best films that won Best Picture at the Oscars. It is one of the few films that completely justifies its considerable running time, and its ending is emotionally devastating. Films don't come much better than this.

4 comments:

  1. Totally agree. Everything about this movie works perfectly. You cannot watch this movie and not share a bit of the pride of building that bridge and yet it must go.

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    1. Exactly! The bridge sort of symbolises working towards peace, and realising the similarities between the two sides, but war is going on, and such things are not allowed to exist, and so are destroyed.

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  2. I'm with you. I rank this as one of the five best-ever Best Picture winners in history, and my favorite winner (by far) from its decade. It's never dull despite the length, and it's a master class in acting all around, but especially from Guinness.

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    1. It is rather extraordinary when you think about how recent was the war it was depicting, and its portrayal of the Japanese, particularly Colonel Saito's character. He is not just the inhuman head of the camp, but a fully developed person.

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